For even probably the most summary and visionary of artists, setting the confines of a stretched canvas presents a puzzle: to fill the clean area with artwork. It’s a rigorous course of mandating the artist to assume past the boundaries of every brush stroke and create one thing authentic. For Chellis Baird, the New York–primarily based artist and designer, her work doesn’t merely elevate this manner to new dimensions, however breaks down the wood buildings of the canvas itself, rendering a portray into mere elements to create one thing wholly distinctive.
“I reached a point as an artist where I really wanted to expand my expression and was working more as a traditional encaustic painter on a flat surface,” recollects Baird. “I then started comparing it to weaving—which I’d learned through studying textiles at RISD and working in fashion after college. Those expansions are what led me to really reach the breaking point of the canvas and figure out what makes up a painting.”
Breaking down the partitions of the medium itself, and discovering its easiest kinds, are a part of what makes Baird’s work so thrilling and reactionary to the viewer, who’s always seeking to discover each crevice of a given work.
“It’s some fabric, some paint, and some wood,” says Baird. “How could I really own each of those elements to make my statement?”
This content was originally published here.